![]() It’s less that these are the “best” of those hundreds of attempts, but each one brings something interesting to the song - whether it’s a bold arrangement, a hint of the artist’s future, a new emotional weight, or just being really, really good. Choosing 10 notable versions from more than 400 is a daunting task. Blige and Andrea Boccelli’s duet was used as a benefit for the 2010 earthquake in Haiti and Simon himself performed it at the Democratic National Convention in 2016.) By the end of 1970, the song had appeared on 24 charting albums, and 12 more albums featuring the song charted in 1971. (It was performed by various artists as a fundraiser following the 2017 Grenfell fire in London Mary J. It’s part of the song’s enduring legacy that, even now, the song seems to function as a salve. It was produced by Tom Wilson and engineered by Roy Halee.The cover and the label include the subtitle exciting new sounds in the folk tradition. In the midst of an uncertain American political and social landscape, there was something calming about the idea of a helping hand, a comforting place, somewhere soft to land. is the debut studio album by American folk rock duo Simon & Garfunkel.Following their early gig as 'Tom and Jerry', Columbia Records signed the two in late 1963. Robinson For Emily, Whenever I May Find HerThe BoxerThe 59'th Street Bridge Song (Feelin' Groovy)The Sou. It resonated with listeners and artists, then and now. Produced in 1972 by CBS/Columbia Records. ![]() I didn’t know where it came from, but I knew it was exceptional.” In a way, you don’t feel you can really even call it your own, but then again, it’s nobody else’s. Then he started writing the words that became the first two verses…” Even Simon was amazed by how quickly the song came out the bulk of it took about 20 minutes, he recalled, with the first two verses taking about two hours: “It just seemed to flow through me. Lead singer Claude Jeter sings, “I’ll be a bridge over deep water, if you trust in my name.” As Robert Hilburn writes in his 2018 biography of Simon, “Out of the blue, he wrote his own melody, which felt gentle, caring, and undeniably beautiful. In the middle of “Oh Mary Don’t You Weep”, there it was. He was listening to an album by gospel group the Swan Silvertones. The song’s journey from Simon & Garfunkel hit to pop (and R&B and gospel and country and jazz and even disco) single starts in Simon’s home in 1969. The duo’s fifth and final album was a hit with three singles reaching the top 10 and six Grammy wins, including Record of the Year and Song of the Year for the title track, a song that would see over hundreds of versions recorded over its 50-year history. Simon & Garfunkel’s Bridge Over Troubled Water celebrates its 50th anniversary this year. The standout, though, is America, a wistful, fruitless search for the land of the free.Editor’s Note: This article originally ran in Feb. Question: Art Garfunkel initially declined to sing one of Simon & Garfunkels biggest hits. Bookends (Simon and Garfunkel, 1968)įlitting from gentle guitars to brash, experimental Moog, Bookends is Simon and Garfunkel at their poppiest (Mrs Robinson, written for The Graduate), weirdest (Punky’s Dilemma) and most agitated (Fakin’ It). Top 20 hit on the Billboard Hot Country Songs chart. It is fitting for an album of such candid introspection – although there are lighter moments, such as the samba-influenced Me and Julio Down by the Schoolyard. Robinson', a work in progress which Simon adapted to fit the movie, along with several instrumental pieces by Dave Grusin. On Everything Put Together Falls Apart, he turns from the microphone halfway through a line to scratch his beard, as if so deep in thought he has forgotten he is recording. The Graduate is a 1968 album of songs and music from the soundtrack of Mike Nichols movie The Graduate.It includes five songs from the folk-rock duo Simon & Garfunkel, including 'Mrs. There are a few intriguingly scruffy moments on Simon’s first post-Garfunkel album. While the follow-up was hastily compiled, it was more assured than their debut, embracing a heftier folk-rock sound and showcasing Simon’s ability to dart between wit and desolation. ![]() Sounds of Silence (Simon and Garfunkel, 1966)Īfter the failure of their 1964 debut, Wednesday Morning, 3am, Simon and Garfunkel’s career was shocked back to life by a new, electric version of that album’s The Sound of Silence. Simon and Garfunkel backstage at Top of the Pops in the mid-60s.
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